Normally each variation repeats the chorale melody and is essentially a separate movement. Also extended commentary on ornamentation in Bach's organ compositions. The pieces are on a large and often epic scale, compared with the miniature intimacy of the choral preludes of the Orgelbüchlein. Volume 8: Bach's last works comprise these 34 compositions, ranging from the six chorale-preludes (taken from cantatas such as “Wachet auf, ruft uns die Stimme”) to the remarkable partitas of the chorale variations. Prelude to Te Deum (Marc-Antoine Charpentier) Air from Suite #3 (Johann Sebastian Bach) Fugue in a (Johann Sebastian Bach) Chorale #53 from St Matthew Passion (Johann Sebastian Bach) Chorale #72 from St Matthew Passion (Johann Sebastian Bach) Menuet … BWV 639: Canons, sometimes indicated as organ pieces: BWV 1121 (=BWV Anh. 2: Chorale Preludes on Discogs. Delivering music since 1876. A common distinctive feature is the use of musical figures to illustrate particular lines or even words in the hymn text. 9), chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. coll. No. coll. No. No. coll. Chorale Preludes IV ("German Organ Mass"—from Clavierübung Volume III), BWV 669-678. The autograph manuscript of the Great Eighteen, currently preserved as P 271 in the Berlin State Library, documents that Bach began to prepare the collection around 1740, after having completed Part III of the Clavier-Übung in 1739. 71; Emans 195", Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Johann Kirnberger's involvement with this collection of chorale preludes, some of which are spurious or doubtful, is however uncertain: modern scholarship no longer refers to this set as "Kirnberger Collection" (unless with qualifiers such as "so-called" or "formerly").[20]. No. No. Create lists, bibliographies and reviews: or Search WorldCat. chorale setting "Komm, heiliger Geist" (Fantasia; chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar). The Schübler chorale preludes.. [Johann Sebastian Bach; Simon Preston] Home. [6] The piece was posthumously published in 1751 as an appendix to the Art of the Fugue, with the title "Wenn wir in höchsten Nöthen sein" (BWV 668a), instead of the original title "Vor deinen Thron tret ich hiermit" ("Before your throne I now appear"). coll. 23), chorale setting "Jesu, meine Freude" (Kirnb. chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1), chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2), chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3), chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4), chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar), chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar), chorale setting "Von Gott will ich nicht lassen" (, chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar), chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar). [7][8][9], The breadth of styles and forms represented by the Great Eighteen is as diverse as that of Bach's Well Tempered Clavier for the keyboard. No. No. No. 24), chorale setting "Jesu, meine Freude" (Fantasia; variant), chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia), chorale setting "Christ lag in Todesbanden", chorale setting "Ein feste Burg ist unser Gott", chorale setting "Erbarm dich mein, o Herre Gott", chorale setting "Gelobet seist du, Jesu Christ", chorale setting "Gelobet seist du, Jesu Christ" (sketch), chorale setting "Gelobet seist du, Jesu Christ" (also in, chorale setting "Herr Gott, dich loben wir", chorale setting "Herzlich tut mich verlangen", chorale setting "In dulci jubilo" (sketch), chorale setting "Lobt Gott, ihr Christen, allzugleich", chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft), chorale setting "Meine Seele erhebt den Herren" (fugue), chorale setting "Es ist gewisslich an der Zeit", chorale setting "Valet will ich dir geben" (Fantasia), chorale setting "Valet will ich dir geben" (early version), chorale setting "Valet will ich dir geben", chorale setting "Vom Himmel hoch, da komm ich her", chorale setting "Vom Himmel hoch, da komm ich her" (sketch), chorale setting "Wie schön leuchtet der Morgenstern", chorale setting "Wir glauben all an einen Gott", chorale setting "Ach Gott, vom Himmel sieh darein". Magnificat) and common tunes (e.g. Ausgabe, Toccata and Fugue in D minor ("Dorian"), BWV 538, Fantasia and Fugue in G minor ("Great"), BWV 542, Prelude and Fugue in E minor ("Wedge"), BWV 548, Eight Short Preludes and Fugues, BWV 553–560, Toccata, Adagio and Fugue in C major, BWV 564, Prelude (Toccata) and Fugue in E major, BWV 566, Fantasia ("Pièce d'Orgue") in G major, BWV 572, Passacaglia and Fugue in C minor, BWV 582, Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769, Capriccio on the departure of a beloved brother, Concerto transcriptions, BWV 592–596 and 972–987, List of compositions by Johann Sebastian Bach, List of fugal works by Johann Sebastian Bach, List of concertos by Johann Sebastian Bach, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=List_of_organ_compositions_by_Johann_Sebastian_Bach&oldid=992940909, Lists of compositions by Johann Sebastian Bach, Articles with International Music Score Library Project links, Short description with empty Wikidata description, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License, Works by Bach, other than chorale preludes, using the same hymn tune, Section in which the composition appears in BWV. The works form an encyclopedic collection of large-scale chorale preludes, in a variety of styles harking back to the previous century, that Bach gradually perfected during his career. Two chorales of the first edition of the BWV catalogue are no longer generally associated with J. S. Bach: Here he also wrote most of his organ works. coll. and 668. Nine chorales were listed in the 1950 first edition of the Bach-Werke-Verzeichnis: BWV 601, 639, 714, 719, 723, 737, 742, 751 and 957. The piece, however, is now accepted as a planned reworking of the shorter chorale prelude Wenn wir in höchsten Nöthen sein (BWV 641) from the Orgelbüchlein (c 1715). The first thirteen chorale preludes BWV 651–663 were added by Bach himself between 1739 and 1742, supplemented by BWV 664 and 665 in 1746–7. No. Bach's Chorale preludes. This page was last edited on 7 December 2020, at 23:01. chorale setting "Nun komm, der Heiden Heiland" (Trio; chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar), chorale setting "Nun komm, der Heiden Heiland" (arrangement), chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar), chorale setting "Allein Gott in der Höh sei Ehr" (, chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar). 200). 14), chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. 19), chorale setting "Ich hab mein Sach Gott heimgestellt", chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. This style goes back to the Dutch composer Sweelinck and was adopted by his German pupils Scheidt and Scheidemann; the tradition was continued at the turn of the 18th century by Georg Böhm and Pachelbel from Thuringia, who provided the model for Bach. 1), chorale setting "Wo soll ich fliehen hin" (Kirnb. In the ornamental chorale, a form invented and popularized in Northern Germany by Scheidemann, the chorale melody is taken by one voice in an elaborate and highly embellished form. The Great Eighteen Chorale Preludes, BWV 651–668, are a set of chorale preludes for organ prepared by Johann Sebastian Bach in Leipzig in his final decade (1740–1750), from earlier works composed in Weimar, where he was court organist. [13] The eighteen are characterized by their freely developed and independent accompaniment filling the long intervals between the successive lines of the cantus firmus, a feature of their large scale which has not pleased all commentators. The Orgelbüchlein contains 46 chorale preludes, and a fragment (BWV Anh. Search. 15), chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. Bach's many chorale preludes are the best-known examples of the form. Search for Library Items Search for Lists Search for Contacts Search for a Library. JW Pepper ® is your sheet music store for band, orchestra and choral music, piano sheet music, worship songs, songbooks and more. DETAILS Want List Email me if this tape comes up for sale Email a friend/member Owner #: 1 Owner Reviews # 0. No. Bach Sheep May Safely Graze Gordon Thompson 2 Bach Menuet in G Medici Music Press 1 Bach Musette Medici 1 Bach Jesu, Joy of Man’s Desiring Queen City Brass Pub. Alongside the “Chaconne” for violin, the ten “Chorale Preludes” for organ are Busoni's best-known piano transcriptions of works by J. S. Bach. coll. 5), chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. chorale setting "Allein Gott in der Höh sei Ehr" (Trio; chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy), chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch), chorale setting "Jesus Christus, unser Heiland" (, chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar). Jean M. Perreault, edited by and Donna K. Fitch. coll. [20], The original chorale preludes composed in Weimar are numbered BWV 651a, 652a, etc. WorldCat Home About WorldCat Help. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. chorale setting "Jesu, meine Freude" (unfinished; chorale setting "O Vater, allmächtiger Gott", chorale setting "Das alte Jahr vergangen ist, chorale setting "Herzliebster Jesu, was hast du verbrochen" (, chorale setting "O Jesu, wie ist dein Gestalt" (, chorale setting "O Lamm Gottes unschuldig" (, chorale setting "Ehre sei dir Christe, der du leidest Not" (, chorale setting "Wir glauben all an einen Gott" (, chorale setting "Aus tiefer Not schrei ich zu dir" (, chorale setting "Allein zu dir, Herr Jesu Christ" (, chorale setting "Du Friedefürst, Herr Jesu Christ" (, chorale setting "Erhalt uns Herr, bei deinem Wort" (, chorale setting "Wenn dich Unglück tut greifen an" (, chorale setting "Gott ist mein Heil, mein Hilf und Trost" (, chorale setting "Jesu, meines Lebens Leben" (, chorale setting "Als Jesus Christus in der Nacht" (, chorale setting "Ach Gott, tu dich erbarmen" (, chorale setting "O Herre Gott, dein göttlich Wort" (, chorale setting "Nun lasset uns den Leib begraben" (, chorale setting "Christus, der ist mein Leben" (, chorale setting "Ich hab mein Sach Gott heimgestellt" (, chorale setting "Herr Jesu Christ, du höchstes Gut" (, chorale setting "Herzlich lieb hab ich dich, o Herr" (, chorale setting "Was Gott tut, das ist wohlgetan" (, chorale setting "Werde munter, mein Gemüte" (, chorale setting "Wie nach einer Wasserquelle" (, chorale setting "Christ, der du bist der helle Tag" (, chorale setting "Machs mit mir, Gott, nach deiner Güt" (, chorale setting "Christ, der du bist der helle Tag", chorale setting "O Gott, du frommer Gott", chorale setting "Ach, was soll ich Sünder machen", BWV 533 – Prelude and Fugue in E minor ("Cathedral"), BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals), BWV 534 – Prelude and Fugue in F minor (doubtful), BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535), BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript), BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain, BWV 539a – Fugue in D minor (see BWV 1000 for the, BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542), BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545), BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by, BWV 547 – Prelude and Fugue in C major ("9/8"), BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs), BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs), BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs), BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs), BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs), BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs), BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs), BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by, BWV 566a – Toccata in E major (earlier version of BWV 566), BWV 567 – Prelude in C major (possibly by, BWV 571 – Fantasia (Concerto) in G major (spurious), BWV 573 – Fantasia in C major (incomplete, from the, BWV 574 – Fugue in C minor (on a theme of, BWV 574a – Fugue in C minor (alternative version of BWV 574), BWV 574b – Fugue in C minor (alternative version of BWV 574), BWV 579 – Fugue in B minor (on a theme by, BWV 581 – Fugue in G major (not by Bach, composed by, BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer), BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria), BWV 585 – Trio in C minor (spurious, after, BWV 586 – Trio in G major (spurious, possibly after, BWV 587 – Aria in F major (spurious, after, BWV 590 – Pastorella in F major (first movement probably incomplete), BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by, BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by, BWV 690 – Wer nur den lieben Gott läßt walten, BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No. 11), chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. A chorale prelude includes the melody of the chorale, with added counterpoint. 13), chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. Bach: Chorale Preludes (Yale Manuscript) - Joseph Payne on AllMusic Find album reviews, stream songs, credits and award information for J.S. Folia), are not usually indicated in this column. coll. This style, the earliest used by Bach, was that employed in his Mühlhausen cantatas, such as the funeral cantata Actus Tragicus, BWV 106. [14], The Renaissance motet, in madrigal style, forms the model for the chorale motet, used in BWV 665 and 666. coll. Chorale Preludes III ("The Great Eighteen"), BWV 651-668. Bach elevated this form to the status of contemporary Italian trio sonatas or double concertos of Antonio Vivaldi and Giuseppe Torelli: it is probably his single most original innovation in the repertoire of organ chorales. 31 chorale preludes for organ, discovered 1985 in the archives of the Yale University library. BWV 712 – In dich hab' ich gehoffet, Herr (manuals only; BWV 713 – Jesu, meine Freude (manuals only), BWV 716 – Fuga super Allein Gott in der Höh sei Ehr, BWV 717 – Allein Gott in der Höh sei Ehr', BWV 724 – Gott, durch deine Güte (Gottes Sohn ist kommen), BWV 726 – Herr Jesu Christ, dich zu uns wend (, BWV 728 – Jesus, meine Zuversicht (from the, BWV 732 – Lobt Gott, ihr Christen, allzugleich, BWV 734 – Nun freut euch, lieben Christen/Es ist gewisslich an der Zeit, BWV 738 – Von Himmel hoch, da komm' ich her, BWV 738a – Von Himmel hoch, da komm' ich her, BWV 739 – Wie schön leuchtet der Morgenstern, BWV 740 – Wir glauben all' an einen Gott, Vater (spurious), BWV 741 – Ach Gott, von Himmel sieh' darein, BWV 744 – Auf meinen lieben Gott (not by Bach, possibly by, BWV 745 – Aus der Tiefe rufe ich (not by Bach, composed by, BWV 746 – Christ ist erstanden (not by Bach, composed by, BWV 748 – Gott der Vater wohn' uns bei (not by Bach, composed by, BWV 749 – Herr Jesu Christ, dich zu uns wend', BWV 750 – Herr Jesu Christ, mein's Lebens Licht, BWV 753 – Jesu, meine Freude (incomplete), BWV 755 – Nun freut euch, lieben Christen, BWV 757 – O Herre Gott, dein göttlich's Wort, BWV 759 – Schmücke dich, o liebe Seele (not by Bach, composed by, BWV 760 – Vater unser im Himmelreich (not by Bach, composed by, BWV 761 – Vater unser im Himmelreich (not by Bach, composed by Georg Böhm), BWV 763 – Wie schön leuchtet der Morgenstern, BWV 764 – Wie schön leuchtet der Morgenstern (incomplete), BWV 770 – Chorale variations "Ach, was soll ich Sünder machen" (spurious), BWV 771 – Chorale variations "Allein Gott in der Höh' sei Ehr'" (not by Bach, possibly by, BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude). chorale setting "Jesus Christus, unser Heiland" (alio modo; chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar), chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar), chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch). 22), chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. Five chorale preludes of the Great Eighteen were written in this style: BWV 652, 653, 654, 659 and 662. [15], The chorale partita is a set of variations on a chorale melody. Harmonia Mundi: HMA1951215. coll. Organ compositions by Johann Sebastian Bach refers to the compositions in the seventh chapter of the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions),[1] or, in the New Bach Edition, the compositions in Series IV. coll. Alongside the Chaconne for violin, the ten Chorale Preludes for organ are Busoni’s best-known piano transcriptions of works by J. S. Bach. This might be a homage to Dieterich Buxtehude, who had written similar partitas and whose music and virtuosity at the organ is known to have exercised a considerable influence on Bach in his youth.[17]. G major 1713–15 Chorale preludes For organ 624 K 53 Hilf Gott, daß mir's gelinge. No. ® No. Exact dates (e.g. In 1750 when Bach began to suffer from blindness before his death in July, BWV 666 and 667 were dictated to his student and son-in-law Johann Christoph Altnikol and copied posthumously into the manuscript. Various lost, doubtful and spurious organ works are included in the BWV Anhang: In the form of a Prelude, Toccata, Fantasia, Passacaglia, middle movement and/or Fugue (BWV 531–582), 24 chorale preludes, formerly known as "from the Kirnberger collection" (BWV 690–713), Miscellaneous chorale preludes (BWV 714–765), Also known in a version for keyboard (BWV 957), Recovered from the Anhang (BWV 1121 and 1128), Organ compositions in the seventh chapter of the, performed on the organ of the Johanneskirche in Gießen, Prelude and Fugue in E-flat major ("St. Anne"), List of compositions by Johann Sebastian Bach printed during his lifetime § Schübler Chorales, Clavier-Übung III § Chorale preludes BWV 669–689, Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt, Klavierbüchlein für Wilhelm Friedemann Bach, performed on the Herbst organ of the Schlosskirche in Lahm, Canonic Variations on "Vom Himmel hoch da komm' ich her", List of keyboard and lute compositions by Johann Sebastian Bach § Fugues and fughettas (944–962), 14 canons on the First Eight Notes of Goldberg Variations Ground, Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections, List of organ compositions by Johann Sebastian Bach#Chorale Preludes, chorale setting "Ach Herr, mich armen Sünder", chorale setting "Ach, was ist doch unser Leben", chorale setting "Christus, der uns selig macht", chorale setting "Herr Jesu Christ, dich zu uns wend", chorale setting "Herr Jesu Christ, meins Lebens Licht", chorale setting "Jesu, der du meine Seele", chorale setting "Liebster Jesu, wir sind hier", chorale setting "Nun freut euch, lieben Christen g'mein", chorale setting "O Herre Gott, dein göttlichs Wort", chorale setting "Vater unser im Himmelreich", chorale setting "Wie schön leucht uns der Morgenstern", chorale setting "O Lamm Gottes unschuldig", chorale setting "Sei gegrüßet, Jesu gütig", chorale setting "Vom Himmel hoch da komm ich her'", chorale setting "Vom Himmel hoch da komm ich her", The New Bach Edition – Series IV: Organ Works, Die Melodien der deutschen evangelischen Kirchenlieder, aus den Quellen geschöpft und mitgeteilt von Johannes Zahn, International Music Score Library Project, "Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. coll. Each line of the chorale is established as a point of imitation for the different parts, which keep to a common rhythm. "[26] Following Mendelssohn's popularization of these works, the definitive Bach-Gesellschaft edition, edited by Wilhelm Rust, was published in Leipzig in 1875. Mendelssohn and Schumann both venerated Schmücke dich: Schumann recalled Mendelssohn confessing after one performance that, "If life were to deprive me of hope and faith, this single chorale would replenish me with them both. Alec ) Choral Prelude on 'St large Silbermann organ in, this page was edited. Hin '' ( Fughetta ; Kirnb ♭ major 1713–15 chorale preludes of the form List me. Folia ), chorale setting `` ich hab mein Sach Gott heimgestellt '' Fughetta! `` in dich hab ich gehoffet, Herr '' ( Fughetta ; Kirnb Lists Search for Library Items for! Favourites of every virtuoso pianist FY20 Panel Review Dates Applicants are welcome -- not... 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Original chorale preludes of the circumstances surrounding the composition as composer, scribe or publisher Johann Sebastian Bach ’ transcendent... Email me if this tape comes up for sale Email a friend/member Owner #: Owner... Organ compositions of Johann Sebastian Bach ; Simon Preston ] Home on 7 December 2020, at.... G major 1713–15 chorale preludes for organ designed to be played immediately before the congregational singing of the firmus... Congregational singing of the catalogue on 7 December 2020, at 23:01 [ Johann Sebastian Bach s! Indicated in this style: BWV 652, 653, 654, 659 and 662, subtley and of. In g minor Canadian Brass Pub firmus chorale: BWV 652,,., reviews, stream songs, credits and award information for J.S full variety, subtley inventiveness! – Nach der von Wolfgang Schmieder vorgelegten 2 melodies, Latin liturgical texts ( e.g Search. 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